Martin Scorsese: Casino - mit Robert De Niro (Filmkritik mit ausführlicher Inhaltsangabe und Rezension von Dieter Wunderlich). Filmkritik zu Martin Scorseses Gangster-Drama-Klassiker Casino mit Robert De Niro, Sharon Stone, Joe Pesci und James Woods. Frank Lawrence „Lefty“ Rosenthal (* Juni in Chicago, Illinois; † Andererseits hat bisher noch kein My bet com die Stone so sehr mit der Kamera gefeiert wie dieser. Online casinos im vergleich den ern war der Einfluss der Cosa Nostra immer weiter angestiegen, das National Crime Syndicate hatte Las Vegas zur slots atronic online Stadt erklärt, in der sich jeder Gangster-Clan engagieren und nach eigenem Ermessen betätigen durfte. Durch die Nutzung dieser Website erklären Sie sich mit Beste Spielothek in Gemeinreuth finden Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Die Bosse haben ohnehin nun von dessen Eskapaden genug und lassen ihn und seinen Bruder mit Baseballschlägern in einem Maisfeld brutal zusammenschlagen und bei lebendigem Leibe begraben. Im Beste Spielothek in Battenbrock finden Drittel seiner Beste Spielothek in Gostritz finden Stunden Laufzeit zeigt "Casino" beinahe in der Art eines Dokumentarfilms, wie es in den Siebzigern zuging in dieser merkwürdigen, in die Wüste gebauten Spielhölle Las Vegas. In den späten er Jahren verstärkte sich seine Beziehung zu Anthony Spilotro. Er gewann fast jede Wette auf die Wochenendspiele und mit einer einzigen Ausnahme alle Montagsspiele. Pesci war dreimal verheiratet. Scott Fitzgerald in Hollywood Fernsehfilm Nach einer Zeit war die Sendung so erfolgreich, dass Rosenthal sich entschloss, sie in das Stardust zu verlegen. Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Und mit der Geschichte der Vertreibung aus ihm.
This film is often looked down upon due to the many similarities it shares with Goodfellas. They've got the same writers and director, some of the same cast and crew, and similar subject matter, storylines, music, and structure.
However, while this film is admittedly basically Goodfellas in Vegas, I still think it's a wonderful film in its own right.
Yeah, it's not as good as Goodfellas, but it's still a strong and fascinating piece of work. Joining him is his childhood buddy Nicky Santoro Joe Pesci who views Vegas as his own little empire for the taking, no matter what the cost, or how destructive his own temper and ego prove to be.
Everyone has their Achilles's Heel, and for Ace it comes in the form of gorgeous hustler Ginger McKenna, who, despite his best efforts, can't be tamed or controlled like everything else in his life.
Pesci does ape some of his Oscar winning turn a lot, but it's still a joy to watch. And as Ginger, Sharon Stone proves brilliant, and gives what is easily the best performance of her career.
I'll admit that the broad plot and the general character storylines and character types are all things we've seen before, and where some of this film's weakness lies.
It's all good stuff, but even then, it offers nothing new, no matter how well it's played out. The real meat here, and the best material this film has to offer are the in-depth docu-drama aspects that chronicle in great and thorough detail the day to day operations of the gambling industry, the scams the Mob ran, and the history lesson this film gives about the city of Las Vegas's entertainment industry.
Sure, Scorsese's other Mafia epic did this too, but here it is goes all out, and takes it to the max. Aside from the things I've mentioned, there's a few other issues that bog this down as well.
Even though he and his film's are known for their energy, Scorsese does tend to let things go slack once in a while here, with a few things dragging on a tad more than they should.
The film is also quite long, though most of the running time is quite justifiable. For those who aren't quite as into it as me though may find some of this to be a bit tedious.
All in all though, this is an excellent, compelling, and engrossing affair. The production values, set design, art direction, and all that are gorgeous, dazzling, and flawless, and there's some terrific camera work, cinematography, and excellently executed sequences.
Yeah, it's somewhat of a redux, but even then I can't help but dig the ever loving crap out of it. Five years after delivering one the mob genre's finest films in "GoodFellas", director Martin Scorsese reunited with screenwriter Nicholas Pileggi and several of the same actors - mainly Robert DeNiro and Joe Pesci - to focus on another true-life crime story.
This time he takes it away from the mean streets of New York and focuses on the deserts of Las Vegas. The results may be highly similar but they're just as impressive.
Things go well for him until his volatile childhood friend Nicky Santoro Joe Pesci arrives to get in on the action and Sam falls in love with conniving, unbalanced and untrustworthy, showgirl Ginger McKenna Sharon Stone.
Before long, a cycle of drugs and violence ensues while Sam struggles to hold onto his casino license and the mob back home are less than happy with the results.
The hallmarks of Scorsese's style and structure - that were so prevalent in "GoodFellas" - are all on show again here.
He has his usual reliable cast, delivering voiceover narrations that take us through the events and there is regular use of classic tracks from The Rolling Stones.
His directorial techniques and are also on show; from flash-cuts to freeze-frames, crash zooms and montages.
In other words, Scorsese is doing it all over again and it's these very techniques and stylistic flourishes that have drawn some criticism Casino's way for being too similar to his aforementioned crime classic.
To some extent, I can understand these gripes. There is definitely a feeling of repetition and lack of originality in it's approach. The most obvious comparison being the casting of Joe Pesci.
As good as Pesci is and he is very good it may have served Scorsese better to cast someone else in that role.
I'd liked to have seen another Scorsese regular Harvey Keitel, for example, just to mix things up a bit and he's proven beforehand that he's an actor that plays off DeNiro very well.
That being said, there is an argument of 'if it ain't broke, dont fix it'. It does tread old ground and doesn't really bring anything fresh to the table but it's old ground that's worth treading again.
Where Scorsese does succeed, is in his casting of DeNiro. In "Goodfellas", DeNiro was underused but here he delivers some solid work.
He has a less showy role than those around him, making it easy to overlook just how effortless he is. He's rarely offscreen for the entire 3 hours of the film and shows an absolutely commanding reservation.
Other great inclusions in the cast are a weasel like James Woods and a surprisingly outstanding Sharon Stone. She takes a back seat in the early stages but when she properly enters the fray, she delivers a very powerful and layered performance and the convincing catalyst for the unravelling of the characters' indulgent lifestyles.
She was rightfully Oscar nominated for her work here and very unlucky not to win. It's a testament to these committed performances and Scorsese's expertise that this film still manages to stand alone as a very fine piece of cinema in it's own right.
Added to which, the lavish production design by Dante Ferretti and Robert Richardson's sublime cinematography bring the whole glitz, glamour and corruption of Las Vegas to fruition.
An enthralling and intimate portrayal of the decline of the mob in the 's. It may not be as tightly constructed as "GoodFellas" but how many film's are or ever will be?
If this is the only criticism that can be appointed to Casino then there's no point criticising at all. Another fine addition to Scorsese's canon.
Kind of a forgotten Scorsese, which is a shame. It's a little long, and a little over-narrated, but it's never boring, and visually - the car bomb that kicks it all off, especially - it's among his best work.
It may have been dismissed because, for Marty, it's cliche: But Sharon Stone, in all her 90s glory, steals plenty of scenes and earns her Oscar nomination, and works really well with James Woods, who could have easily been included in 's crowded Best Supporting Actor category.
Competent to great work in every aspect, and though it might not blow you away anywhere, the craftsmanship shines through its every moment.
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View All Photos 5. The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment.
The film chronicles the lives and times of three characters: Ace plays by the rules albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state , while Nicky and Ginger lie, cheat, and steal their respective ways to the top.
The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece.
R for strong brutal violence, pervasive strong language, drug use and some sexuality. Martin Scorsese , Nicholas Pileggi.
Sharon Stone as Ginger McKenna. Joe Pesci as Nicky Santoro. James Woods as Lester Diamond. Don Rickles as Billy Sherbert.
Alan King as Andy Stone. Kevin Pollak as Philip Green. Jones as Pat Webb. Dick Smothers as Senator. Frank Vincent as Frank Marino. Erika vonTagen as Older Amy.
Joe Bob Briggs as Don Ward. Pasquale Cajano as Remo Gaggi. Melissa Prophet as Jennifer Santoro. Bill Allison as John Nance. Oscar Goodman as Himself.
Phillip Suriano as Dominick Santoro. Erika Von Tagen as Older Amy. Frankie Avalon as Himself. Philip Suriano as Dominick Santoro. Steve Allen as Himself.
Jayne Meadows as Herself. Jerry Vale as Himself. Audrey Meadows as Herself. Joseph Rigano as Vincent Borelli.
Gene Ruffini as Vinny Forlano. Dominick Grieco as Americo Capelli. Richard Amalfitano as Casino Executive. Strafella as Casino Executive.
This story has to be on a big canvas. It has to be set in the context of time and place, it has tobe about America. Otherwise, why make another mob story?
Will McCrabb shared this great photo from the set of Casino: Scorsese is dollied through a SFX fireball while operating the camera.
This is not a screen-specific commentary, but seems to be a collection of comments taken from interviews, recorded separately.
You will often hear the same remarks included in interviews contained in the other extras. Scorsese is as adroit and articulate as always, and interestingly, likens the casino business to the film industry.
A rare interview with Martin Scorsese. Interviews with Martin Scorsese and Nicholas Pileggi. You may also like.